Reading list

18th July 2016

Ali, S. (2015) Open Source Movement. [online], LinkedIn Pulse, available: https://www.linkedin.com/pulse/open-source-movement-mohammed-shakir-ali [accessed 31 Jul 2016].

Barakat, C. (2014) Millennials Trust User-Generated Content 50% More Than Traditional Media [INFOGRAPHIC] [online], available: http://www.adweek.com/socialtimes/millennials-trust-user-generated-content-50-traditional-media-infographic/147545 [accessed 24 Jul 2016].

Barnko, C. (2008) ‘The goal of copyright law is to stimulate creation’, Branko’s Weblog, available: http://tekstadventure.nl/branko/blog/2008/02/the-goal-of-copyright-law-is-to-stimulate-creation [accessed 19 Jul 2016].

Barrie, D. (2009) David Barrie: Participatory Culture, Twitter and a Loading Gun [online], available: http://davidbarrie.typepad.com/david_barrie/2009/02/participatory-culture-twitter-and-a-loading-gun.html [accessed 31 Jul 2016].

Belleflamme, P., Peitz, M. (2014) ‘Digital Piracy’, in Backhaus, J., ed., Encyclopedia of Law and Economics, Springer New York, 1–8, available: http://link.springer.com/referenceworkentry/10.1007/978-1-4614-7883-6_13-1 [accessed 21 Jul 2016].

Benkler, Y. (2007) The Wealth of Networks: How Social Production Transforms Markets and Freedom, 9/23/07 edition. ed, Yale University Press: New Haven Conn.

Biography.com Editors (2016) Esther Dyson – Philanthropist, Journalist – Biography.com [online], available: http://www.biography.com/people/esther-dyson-9542200 [accessed 31 Jul 2016].

Blakley, J. (n.d.) Lessons from Fashion’s Free Culture [online], available: http://www.ted.com/talks/johanna_blakley_lessons_from_fashion_s_free_culture [accessed 24 Jul 2016].

BrainyQuote (2016) Search Results at BrainyQuote [online], BrainyQuote, available: http://www.brainyquote.com/search_results.html?q=copyright [accessed 17 Jul 2016].

Britt, L. (2013) ‘The importance of modernising Copyright in the digital age’, The Justice Gap, available: http://thejusticegap.com/2013/11/copyright-law-needs-move-digital-age/ [accessed 19 Jul 2016].

Bruce, J. (2012) What Is DRM & Why Does It Exist If It’s So Evil? [MakeUseOf Explains] [online], available: http://www.makeuseof.com/tag/what-is-drm-and-why-does-it-exist-if-its-so-evil/ [accessed 31 Jul 2016].

Brunet, M. (2014) ‘Outdated copyright laws must adapt to the new digital age | Policy Review’, available: http://www.policyreview.eu/outdated-copyright-laws-must-adapt-to-the-new-digital-age/ [accessed 21 Jul 2016].

Byfield, B. (2015) Open Source Debate: Copyleft vs. Permissive Licenses – Datamation [online], available: http://www.datamation.com/open-source/open-source-debate-copyleft-vs.-permissive-licenses.html [accessed 20 Jul 2016].

Cannarsa, B. (2016) Tim Parks – Literature [online], available: https://literature.britishcouncil.org/writer/tim-parks [accessed 17 Jul 2016].

Chmielewski, T. (2016) Alternatives to Copyright [online], available: http://smallbusiness.chron.com/alternatives-copyright-59982.html [accessed 20 Jul 2016].

Chose a license (2016) Licenses [online], Choose a License, available: http://choosealicense.com/licenses/ [accessed 20 Jul 2016].

Cialfor (2015) ‘digital piracy Archives’, cialfor, available: http://www.cialfor.com/tag/digital-piracy/ [accessed 31 Jul 2016].

CNN, B.W.P., Special to (2016) Time to Update Copyright Law? – CNN.com [online], CNN, available: http://www.cnn.com/2012/01/31/opinion/patry-copyright-law/index.html [accessed 21 Jul 2016].

Collins, R. (2015) DACS – News – Fair Use: Copyright Differences in the UK and US [online], available: https://www.dacs.org.uk/latest-news/us-fair-use-uk-fair-dealing-differences-law?category=For+Artists&title=N [accessed 18 Jul 2016].

Colormatters (2016) Red [online], available: http://www.colormatters.com/the-meanings-of-colors/red [accessed 1 Aug 2016].
Common Sense Education (n.d.) Copyright and Fair Use Animation [online], available: https://www.youtube.com/watch?v=suMza6Q8J08 [accessed 18 Jul 2016].

Copyrights and Wrongs (2012) Fair Dealing [online], available: http://www.copyrightsandwrongs.nen.gov.uk/schools-a-copyright/fair-dealing [accessed 18 Jul 2016].

Copyrightuser.org (2016) Copyright User – Prompt Two [online], available: http://copyrightuser.org/schools/a-level-media-studies/prompt-two/ [accessed 19 Jul 2016].

Cousins, C. (2015) Web Design Trends Analyzed: Hero Headers & Letterboxes [online], Studio by UXPin, available: https://www.uxpin.com/studio/blog/web-design-trends-analyzed-hero-headers-letterboxes/ [accessed 1 Aug 2016].

Crampton, T. (2007) ‘Google Said to Violate Copyright Laws’, The New York Times, 14 Feb, available: http://www.nytimes.com/2007/02/14/business/14google.html [accessed 24 Jul 2016].

Creative Commons (2016) ‘Downloads’, Creative Commons, available: https://creativecommons.org/about/downloads/ [accessed 31 Jul 2016].

Eaziloyalty (2014) Mobile Technology – Past, Present and Future [online], Eaziloyalty, available: http://eaziloyalty.co.uk/mobile-technology-past-present-future/ [accessed 31 Jul 2016].

Faulkner (2014) Faulkner16’s DeviantArt Gallery [online], available: http://faulkner16.deviantart.com/gallery/ [accessed 31 Jul 2016].

Filippi, D., Primavera, Vieira, M.S. (2014) The Commodification of Information Commons: The Case of Cloud Computing, SSRN Scholarly Paper ID 2488127, Social Science Research Network, Rochester, NY, available: http://papers.ssrn.com/abstract=2488127 [accessed 1 Aug 2016].

Fish, A., Srinivasan, R. (2012) ‘Digital labor is the new killer app’, New Media & Society, 14(1), 137–152.
Geere, D. (2016) Some Rights Reserved: The Alternatives to Copyright [online], WIRED UK, available: http://www.wired.co.uk/article/alternatives-to-copyright [accessed 20 Jul 2016].

Glaser, M. (2008) ‘Should Copyright Law Change in the Digital Age?’, MediaShift, available: http://mediashift.org/2008/08/should-copyright-law-change-in-the-digital-age224/ [accessed 21 Jul 2016].

Goldman, D. (2016) Google Kills 250,000 Search Links a Week [online], CNNMoney, available: http://money.cnn.com/2012/05/24/technology/google-search-copyright/index.htm [accessed 24 Jul 2016].

Google (2016) Open Sans | Typekit [online], available: https://typekit.com/fonts/open-sans [accessed 1 Aug 2016].
History of Copyright (2013) Historyofcopyright.org – Introduction [online], available: http://historyofcopyright.org/pb/wp_00d1146d/wp_00d1146d.html [accessed 19 Jul 2016].

Hopkins, D. (2016) Creative Commons Infographic: Licenses Explained | Technology Enhanced Learning Blog [online], available: http://www.dontwasteyourtime.co.uk/elearning/creative-commons-infographic-licenses-explained/ [accessed 31 Jul 2016].

Idler, S. (2012) ‘Top 9 Guidelines For A Better Content Organization’, Usabilla Blog, available: http://blog.usabilla.com/the-ultimate-guide-to-content-organization-in-web-design/ [accessed 1 Aug 2016].

IPO (2014) Exceptions to Copyright – Detailed Guidance – GOV.UK [online], available: https://www.gov.uk/guidance/exceptions-to-copyright [accessed 18 Jul 2016].

Jones, C., Shao, B. (2011) The Net Generation and Digital Natives: Implications for Higher Education [online], available: http://www.heacademy.ac.uk/resources/detail/evidencenet/net-generation-and-digital-natives [accessed 24 Jul 2016].

Juden, S. (2016) ‘Happy Birthday to Copyright: Simon Juden » Copyright in the Digital Age’, available: http://copyright-debate.co.uk/?p=391 [accessed 21 Jul 2016].

Kakutani, M. (2007) ‘The Cult of the Amateur – Andrew Keen – Books – Review’, The New York Times, 29 Jun, available: http://www.nytimes.com/2007/06/29/books/29book.html [accessed 24 Jul 2016].

Karafillis, A. (2013) Efficiently Simplifying Navigation, Part 1: Information Architecture [online], Smashing Magazine, available: https://www.smashingmagazine.com/2013/12/efficiently-simplifying-navigation-information-architecture/ [accessed 31 Jul 2016].

Kaye, B. (2016) ‘Here’s how the UK’s Brexit from the European Union could affect the music and film industries’, Consequence of Sound, available: http://consequenceofsound.net/2016/06/heres-how-the-uks-brexit-from-the-european-union-could-affect-the-music-and-film-industries/ [accessed 23 Jul 2016].

Kelty, C.M. (2008) Two Bits: The Cultural Significance of Free Software, Duke University Press.
Kienzle, C. (20130701) Taking Steps to Fight Piracy in Online Video [online], Streaming Media Magazine, available: http://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=90584 [accessed 20 Jul 2016].

Klein, B., Moss, G., Edwards, L. (2015) Understanding Copyright: Intellectual Property in the Digital Age, Sage Publications: London.

Kravets, D. (2016) Fair Use Prevails as Supreme Court Rejects Google Books Copyright Case [online], Ars Technica UK, available: http://arstechnica.co.uk/tech-policy/2016/04/supreme-court-google-books-fair-use-copyright-case/ [accessed 24 Jul 2016].

Lever, R. (2016) Google Wins Long US Court Battle on Book-Scanning [online], available: https://www.yahoo.com/tech/google-books-copyright-challenge-denied-top-us-court-143216437.html [accessed 24 Jul 2016].

Litman, J. (1996) Litman, Revising Copyright for the Digital Age [online], available: https://www.law.cornell.edu/copyright/commentary/litrvtxt.htm [accessed 19 Jul 2016].

Litman, J. (2016) Revising Copyright Law for the Information Age [online], available: http://www-personal.umich.edu/~jdlitman/papers/revising.htm [accessed 18 Jul 2016].

Lodderhose, D. (2014) ‘Movie piracy: threat to the future of films intensifies’, The Guardian, 17 Jul, available: https://www.theguardian.com/film/2014/jul/17/digital-piracy-film-online-counterfeit-dvds [accessed 21 Jul 2016].

Macmillan, F. (2010) ‘How big corporations are blocking reform of intellectual property law’, The Guardian, available: https://www.theguardian.com/law/2010/sep/02/intellectual-property-law-europe [accessed 19 Jul 2016].

Maron, M. (2010) ‘Brain Off » Why Google MapMaker is not Open :: Mikel Maron :: Building Digital Technology for Our Planet’, available: http://brainoff.com/weblog/2010/03/16/1541 [accessed 27 Jul 2016].

Martin, M. (2014) Why I’m Using a 3 Column Layout [online], Pro Blog Design, available: http://www.problogdesign.com/blog-layout/why-im-using-a-3-column-layout/ [accessed 31 Jul 2016].

Masnick, M. (2014) How Many Times A Day Do You Violate Copyright Laws Without Even Realizing It | Techdirt [online], Techdirt., available: https://www.techdirt.com/articles/20140430/17244727083/how-many-times-day-do-you-violate-copyright-laws-without-even-realizing-it.shtml [accessed 19 Jul 2016].

MaximumPC, S.B.- (2016) Seven Ways to Stop Piracy Without DRM [online], Gizmodo, available: http://gizmodo.com/5881651/seven-ways-to-stop-piracy-without-drm [accessed 21 Jul 2016].

Mazziotti, G. (2008) EU Digital Copyright Law and the End-User, Springer Science & Business Media.

Merrill, S.A., Raduchel, W.J. (2013) Copyright in the Digital Era: Building Evidence for Policy | The National Academies Press [online], available: http://www.nap.edu/catalog/14686/copyright-in-the-digital-era-building-evidence-for-policy [accessed 20 Jul 2016].

Milhorn, H.T. (2007) Cybercrime: How to Avoid Becoming a Victim, Universal-Publishers.

New Media Rights (2011) What Types of Things Are Protected by Copyright? | New Media Rights [online], available: http://www.newmediarights.org/business_models/artist/what_types_things_are_protected_copyright [accessed 18 Jul 2016].

News, B.B.C. (2016) Google Piracy Report Criticised by Music Industry [online], BBC News, available: http://www.bbc.co.uk/news/technology-36783351 [accessed 24 Jul 2016].

Online Creation communities (2007) Digital Commons | Online Creation Communities [online], available: http://www.onlinecreation.info/digital-commons [accessed 27 Jul 2016].

OSI (2016a) Logo Usage Guidelines | Open Source Initiative [online], available: https://opensource.org/logo-usage-guidelines [accessed 31 Jul 2016].

OSI (2016b) About the Open Source Initiative | Open Source Initiative [online], available: https://opensource.org/about [accessed 20 Jul 2016].

Ovide, R.M. and S. (2016) The War on Internet Piracy [online], Bloomberg Gadfly, available: http://www.bloomberg.com/gadfly/articles/2016-03-23/google-and-media-titans-clash-in-a-war-on-internet-piracy [accessed 21 Jul 2016].

Palfrey, J., Gasser, U., Simun, M., Fay Barnes, R. (2009) Youth, Creativity, and Copyright in the Digital Age [online], available: https://dash.harvard.edu/handle/1/3128762 [accessed 19 Jul 2016].

Parks, T. (2016) Tim Parks [online], Goodreads, available: https://www.goodreads.com/author/show/41773.Tim_Parks [accessed 17 Jul 2016].

Petersen, S.M. (2008) ‘Loser Generated Content: From Participation to Exploitation’, First Monday, 13(3), available: http://firstmonday.org/ojs/index.php/fm/article/view/2141 [accessed 27 Jul 2016].

Pettit, N. (2014) Which Page Layout? Static, Liquid, Adaptive, or Responsive [online], available: http://blog.teamtreehouse.com/which-page-layout [accessed 31 Jul 2016].

Pixabay (2014) Free Image on Pixabay – Protected, Copyright, Note, Design [online], available: https://pixabay.com/en/protected-copyright-note-design-267353/ [accessed 31 Jul 2016].

Pixabay (2015) Free Image on Pixabay – Email, Keyboard, Computer [online], available: https://pixabay.com/en/email-keyboard-computer-copyright-826333/ [accessed 31 Jul 2016].

Pollock, R. (2011) Creative Commons and the Commons [online], Rufus Pollock, available: http://rufuspollock.org/2011/04/12/creative-commons-and-the-commons/ [accessed 18 Jul 2016].

Pollock, R. (2012) ‘Making a Real Commons: Creative Commons should Drop the Non-Commercial and No-Derivatives Licenses – Open Knowledge International Blog’, available: http://blog.okfn.org/2012/10/04/making-a-real-commons-creative-commons-should-drop-the-non-commercial-and-no-derivatives-licenses/ [accessed 31 Jul 2016].

Prowle, M. (2016) Brexit: Are the Eastern Europeans Mad to Let the UK Leave? [online], available: http://www.huffingtonpost.co.uk/malcolm-prowle/brexit-are-the-eastern-eu_b_9748128.html [accessed 31 Jul 2016].

Richmond, S. (2015) Copyright Laws Don’t Work in the Digital Age [online], POLITICO, available: http://www.politico.eu/article/copyright-laws-dont-work-in-the-digital-age/ [accessed 21 Jul 2016].

Rifkin, J. (2014) ‘The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons and the Eclipse of Capitalism | The World Financial Review | Empowering communication globally’, available: http://www.worldfinancialreview.com/?p=1795 [accessed 27 Jul 2016].

Rightscorp (2016) History of Digital Piracy – Rightscorp – Rightscorp, Inc. [online], available: http://www.rightscorp.com/copyrights/digital-piracy [accessed 21 Jul 2016].

Rosati, E. (2016) ‘The IPKat: Brexit and UK copyright: the story of a loss’, available: http://ipkitten.blogspot.com/2016/06/brexit-and-uk-copyright-story-of-loss.html [accessed 23 Jul 2016].

Rosenblatt, J. (2016) Google Beats Oracle on Copyright, Defeating $9 Billion Claim [online], Bloomberg.com, available: http://www.bloomberg.com/news/articles/2016-05-26/google-beats-oracle-copyright-suit-wiping-away-9-billion-claim [accessed 24 Jul 2016].

Rosen, L.E. (2005) Open Source Licensing: Software Freedom and Intellectualproperty Law, Prentice Hall PTR: Upper Saddle River, NJ.

Saltman, D. (2011) Harvard Education Publishing Group [online], available: http://hepg.org/hel-home/issues/27_5/helarticle/turning-digital-natives-into-digital-citizens_511 [accessed 24 Jul 2016].

Schlackman, S. (2015) Is Copyright Duration Too Long? [online], available: http://artlawjournal.com/copyright-duration-mickey-mouse-tpp/ [accessed 19 Jul 2016].

Shaefer, D.M. (2014) Participatory Culture Understanding Participation [online], available: http://paas.org.pl/wp-content/uploads/2014/07/Schaefer.pdf [accessed 30 Jul 2016].

Sibagraphics (2016) The Meaning of Colour in Web Design [online], available: http://www.sibagraphics.com/colour.php [accessed 1 Aug 2016].
Silverman, I. (n.d.) ‘The 1709 Blog: Is the term of protection of copyright too long?’, available: http://the1709blog.blogspot.com/2012/11/is-term-of-protection-of-copyright-too.html [accessed 19 Jul 2016].

Silvester, D. (2015) ‘How Much Longer Can Kickass Torrents Survive Government Problems?’, Movie TV Tech Geeks News, available: https://movietvtechgeeks.com/how-much-longer-can-kickass-torrents-survive/ [accessed 31 Jul 2016].

St. Laurent, A.M. (2004) Understanding Open Source and Free Software Licensing, O’Reilly: Beijing ; Cambridge.
Symantec (2016) Internet Security Threat Report 2016 | Symantec [online], available: https://www.symantec.com/security-center/threat-report [accessed 21 Jul 2016].

TechhTarget (2016) What Is Copyright? – Definition from WhatIs.com [online], SearchSecurity, available: http://searchsecurity.techtarget.com/definition/copyright [accessed 18 Jul 2016].

Terranova, T. (2003) Free Labor: Producing Culture for the Digital Economy | Electronic Book Review [online], available: http://www.electronicbookreview.com/thread/technocapitalism/voluntary [accessed 27 Jul 2016].

The Authors Guild (2016) Supreme Court Declines to Review Fair Use Finding in Decade-Long Book Copying Case Against Google [online], The Authors Guild, available: https://www.authorsguild.org/industry-advocacy/supreme-court-declines-review-fair-use-finding-decade-long-book-copying-case-google/ [accessed 24 Jul 2016].

UX 365 (2015) ‘UX 365 | discovering user experience one word at a time | Page 2’, available: http://hannahatkin.com/blog/page/2/ [accessed 31 Jul 2016].

WebAIM (2016) WebAIM: Fonts [online], available: http://webaim.org/techniques/fonts/ [accessed 1 Aug 2016].

Webdesignerdepot (2010) The Simplicity of Helvetica | Webdesigner Depot [online], available: http://www.webdesignerdepot.com/2010/01/the-simplicity-of-helvetica/ [accessed 1 Aug 2016].

Webroot (2015) The Societal Costs of Digital Piracy [online], available: https://www.webroot.com/gb/en/home/resources/tips/ethics-and-legal/the-societal-costs-of-digital-piracy [accessed 21 Jul 2016].

Weigler, S. (2014a) What Is Copyright, and Why Is It Important [online], EmergeCounsel, available: http://emergecounsel.com/copyright/ [accessed 31 Jul 2016].

Weigler, S. (2014b) Copyright Protection in Your Intellectual Property Strategy [online], EmergeCounsel, available: http://emergecounsel.com/why-copyright-protection-is-important/ [accessed 31 Jul 2016].

Westerhoff, A. (2016) ‘A Requiem for Copyright : Albert Westerhoff’, available: http://www.albertwesterhoff.nl/a-requiem-for-copyright [accessed 31 Jul 2016].

White, B. (2012) Copyright for a Digital Age [online], available: http://www.newstatesman.com/cultural-capital/2012/11/copyright-digital-age [accessed 21 Jul 2016].

Willnes, M. (2015) Spotify And Netflix Aside, Majority Of UK Millennials Are Still Pirating Content [online], International Business Times, available: http://www.ibtimes.com/spotify-netflix-aside-majority-uk-millennials-are-still-pirating-content-2040109 [accessed 24 Jul 2016].

Wittel, A. (2013) ‘Counter-commodification: The economy of contribution in the digital commons’, Culture and Organization, 19(4), 314–331.
Xalabarder, R. (2014) ‘Google Books and Fair Use: A Tale of Two Copyrights?’, JIPITEC, 5(1), available: http://www.jipitec.eu/issues/jipitec-5-1-2014/3908.